PREFECTURE 48

A curatorial strategy traversing the dual worlds of Ukiyo(e)

0=1 -tunnelling effect (2024)
Hitoshi Kuriyama
fluorescent light, mirrored glass tube, steel, electric cable

The interplay of illumination and reflection transforms the historic Cartway into a dynamic and immersive entry space.

Aurate Dance (2024)
Racso Jugarap
metal wire, gold foil and resin

The installation suspended within Ibushi restaurant intends to capture the multi-sensory experience of cooking on a robata grill.

A composition of hand-formed brass wire sculptures with gold leaf applique trace the restaurant ceiling.

Pixel (2024)
Hiroto Yoshizoe
painted aluminium, polycarbonate, LED mesh screen, video

Pixel’s dual screens flank the bar in Garaku, flooding the Kaiseki restaurant with neon hues.

Inspired by shoji screens and modular architecture, Pixel features a video installation that reflects the changing seasons and the graceful movements of Japanese dance.

Supernature (2024)
Yuki Tsuji
Japanese reclaimed timber, resin

Five’s dining offer celebrates the abundance of nature, its ability to feed and nourish us. So too does Supernature, a sculpture of Japanese reclaimed timber and resin.

Lavca (2024)
Yuki Tsuji
Japanese reclaimed timber, resin

As a quiet counterpoint to the other venues, Omakase offers a personalised experience, with the chef serving fresh seafood in a small, focused space. To complement this, Yuki Tsuji created two sculptural pieces that reflect the intimacy of the restaurant and the abundant, enriching resources provided by the sea.

Eternal Seasons: A Celestial Journey (2024)
Chris Gibson (Horigo)
digital print on fabric

Whiskey Thief, the precincts premium Japanese Whisky bar, features four traditional Japanese Horimono illustrations printed onto velvet. The mural-scale illustrations reflect both Japanese night culture and the premium materiality of the bar’s interior.

Prefecture 48 is a Japanese dining precinct set within the historically significant Foley Brothers building. Featuring six food and beverage venues each with their own culinary narrative, our art strategy informed the commission of 7 new site-specific installations.  

Early on, the building’s history was identified as important to the cultural fabric of Sydney and formed a key consideration of how the artistic interventions would interact with the space. Each artist was carefully briefed on its restrictions and features, resulting in commissions that were sensitive to the nuances of a heritage envelope.

Central to the art strategy was the creation of an overarching narrative to establish a framework for the selection of artists and commission of artworks. For Prefecture 48 it was important to embed our research in Japanese history and culture. Conceptually, the art curation strategy was grounded in Ukiyo(e) commonly translated to ‘pictures of the floating world’. Emblematic of the Edo period, Ukiyo(e) represents an unrivalled creative arena where communities gather to indulge in the gamut of artistic pursuits. In a time of great change, the Edo period saw a rise in public access to art, music, poetry and culture at large.

The collection of artworks throughout Prefecture 48 explore the breadth of this floating world and reflect the diverse culinary expression of the various restaurants and bars.

  • Project Scope

    Art Curation

    Placemaking

    Signage

  • Collaborators

    Artists: Hitoshi Kuriyama, Hiroto Yoshizoe, Chris Gibson (Horigo), Racso Jugarap, Yuki Tsuji

    Architecture and Interiors: Bates Smart

    Specialist Lighting: Electrolight

    Builder: Buildcorp

    Heritage: NBRS

    Photography: Anson Smart